a pub at Harvard. The warm colors is neutralized by a photograph too smooth. There's a window between the young Mark Zuckerberg and his girlfriend, who is to explain that, more than a nerd , it is basically an asshole . Event presented to us as the founder of the scenario of The Social Network is less footprint on the character of interest (the psychology of small-time geek) the mixture of obsession and estrangement, emergency and immobility, of malice and sentimentality, it will spread to the rest of the film. The digs at Harvard also became a place of retreat and place of conquest.
The drama seems surprisingly absent from this film that tells the accession, however dazzling the rank of a little fellow billionaire bent over his keyboard. David Fincher and screenwriter Aaron Sorkin, do little to play emotional levers of success story. Maybe tell the story from the trial scenes - which take place long after - is a detached manner analytical and freeze the account of the creation of Facebook. And the film will only develop the original scene in the student room exactly where Mark established Facematch.com drunk, with the background music from the student party to which it is not. From the beginning, there is the starting point and ending point. From the beginning there's this over-saturated atmosphere this place and unnecessary energy. From the beginning there is the containment and ubiquity. From the start Facebook is created.
So never mind if the rest of the film does not entirely neglect that promise and put some tracks Directed launched here and there: we always excellent actor Jesse Eisenberg whose playing expresses very precisely the balance between enthusiasm and improbable impassive. We still also gentlemen Harvard which Mark is accused of stealing the idea, and are conveniently placed there, as the attractive idea to spread that Facebook is a great hacking behaviors aristocratic culture club, network, chat, cosmopolitanism and the deification of appearances.
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